In its inexorable impulse to assert its supremacy, the Male swelled head in both Tess and Thalamurakal invents strange logic and drags the hapless female along its aberrant paths. It is curious to observe that both saintly man and Chamiarappan insists on interpreting their female counterparts according to their make strange and indirect psychical make-up. In both cases the indistinguishability of the female or her deepest desires are seldom paid attention. Michael Millgate makes the next observation: standardized his successor, Jude, Angel is a more forward-looking character than former(a) Hardy men; for he has ambiguous and hostile motives--some overt, others so hidden under layers of ideas that they can come bug out nevertheless at night. His wavering, his rationalisations, his sophistries, his naive self-deceptions, and his neurotic self-torments ally him to such(prenominal) figures as Stephen Dedalus and Quentin Compson rather than to the typical Victorian hero. Bo th the noctambulation and the volume with which he reacts to Tesss confession may well channelize a hidden sense of sexual guilt, as the tension on feminine purity usually indicates an obsession with sexual activity as something to be feared. 7 Angel in outrage of the strong protests from Tess insists on communicate an idealised image of her, which is fate to bring disillusionment and frustration, tot up against the rock of terrible realism.
He goes onto address her by sheer names comparable Artemis and Demeter, whose meaning she scarcely understands. The Jungian conjecture may suffice to understand this behavi oural pattern of Angel: A corporate image ! of woman exists in a mans unconscious, with the help of which he apprehends the nature of woman. 8 According to Jung, so long as men are unconscious of their anima, they project this image onto various women they were attracted. It is likely to produce disastrous results since they are... If you want to get a full essay, order it on our website:
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